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Diego Rivera
Woman of Flapjack
mk117
1943
30.5x40cm
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Diego Rivera
Death-s day
mk117
1944
73.5x101cm
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Diego Rivera
Worker
mk117
1944
23x29cm
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Diego Rivera
Portrait of A Family
mk117
1946
180.9x201.9cm
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Diego Rivera
Tempt
mk117
1947
89.5x110cm
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Diego Rivera
Landscape of night
mk117
1947
Oil on canvas
100x90cm
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Diego Rivera
Indian
mk117
1949
Oil on canvas
180x150cm
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Diego Rivera
Portrait of Dabi
mk117
1949
205x125cm
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Diego Rivera
No title
mk117
1950
491x524cm
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Diego Rivera
No title
mk117
1953
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Diego Rivera
SunSet
mk117
1956
30x40cm
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Diego Rivera
Portrait of Aomei
mk117
1955
200x152cm
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Diego Rivera
Dream
mk117
1956
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Diego Rivera
Glide
mk117
1956
Oil on canvas
90x116cm
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Diego Rivera
indian spinning
mk247
1936,oil on canvas,23.5x32 in,60x81.5cm,phoenix art museum,phoenix,az,usa
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Diego Rivera
the flower seller
mk247
1942,oil on canvas,59x47 in,150x120 cm,private collection
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Diego Rivera
the spanish conquest of mexico
mk247
1929 to 35,mural(detail),palacio nacional,mexico city,mexico
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Diego Rivera
kallor
se
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| Diego Rivera
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Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.
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